Ralston Crawford American, 1906-1978
Overseas Highway sketch, 1939
Pencil and ink on paper
11.5 x 18 cm (image)
19.3 x 25.3 cm (sheet)
19.3 x 25.3 cm (sheet)
Signed and dated "Ralston Crawford 1939" below the image
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Further images
Provenance
Greenberg Gallery, Saint Louis (label verso)By descent to the previous owner
Exhibitions
New York, Hirschl & Adler Galleries, Lines of Power, March-April 1977 (label verso)
This work is a sketch for Ralston Crawford’s Overseas Highway, now held in the Thyssen-Bornemisza Collections in Madrid, Spain. It depicts the 'industrial sublime' of a clear vista along US...
This work is a sketch for Ralston Crawford’s Overseas Highway, now held in the Thyssen-Bornemisza Collections in Madrid, Spain. It depicts the "industrial sublime" of a clear vista along US Route 1 somewhere between Key West, Florida and the US/Canada border (1). The tonal landscape of Overseas Highway Sketch pulls the viewer in toward its small vanishing point. Marjorie B. Searl describes its "illusionistic pull... into deep space" (2).
The artist recalled: "I can remember my work on that painting, it was almost like writing... I drew it, as I frequently do" (3). The meticulous composition of this sketch displays the artist's signature precisionist style, while the notes and measurements allow a rare a glimpse into the artist’s working process.
1. William C. Agee, Masterpieces of American modernism: from the Vilcek Collection (London & New York: Merrell Publishers Limited, 2013), 224.
2. Marjorie B. Searl, "Ralston Crawford Whitestone Bridge (1939-40)," in Seeing America: Painting and Sculpture from the Collection of the Memorial Art Gallery of the University of Rochester (Rochester: University of Rochester, 2006), 241.
3. Gail Levin et al., Twentieth-century American painting: the Thyssen-Bornemisza Collection (London: Bloomsbury, 1987), 72.
The artist recalled: "I can remember my work on that painting, it was almost like writing... I drew it, as I frequently do" (3). The meticulous composition of this sketch displays the artist's signature precisionist style, while the notes and measurements allow a rare a glimpse into the artist’s working process.
1. William C. Agee, Masterpieces of American modernism: from the Vilcek Collection (London & New York: Merrell Publishers Limited, 2013), 224.
2. Marjorie B. Searl, "Ralston Crawford Whitestone Bridge (1939-40)," in Seeing America: Painting and Sculpture from the Collection of the Memorial Art Gallery of the University of Rochester (Rochester: University of Rochester, 2006), 241.
3. Gail Levin et al., Twentieth-century American painting: the Thyssen-Bornemisza Collection (London: Bloomsbury, 1987), 72.